Review & Photography by Paul Verner for MPM
On a miserable Friday night, punters lined the the street outside Belfastâs Empire Music Hall eagerly waiting to catch Dom Martin on the sold out, penultimate date of his âBuried in the Hail Tourâ.
Thankfully the hall offered a much warmer environment than the elements outside and it wasnât long before supporting singer, songwriter Taylor Lally took to the stage with a set full of acoustic blues based songs, that accentuated her hypnotic vocal style.
Showcasing songs such as âWake-up,â âFoolâ and âNot trying to Feel Goodâ. It is easy to see why Taylor is considered a rising star on the Belfast music scene.

The mature delivery style combined with sometimes quirky lyrics had fans singing along. Even though it was her first time performing at the Empire, she showed no sign of nerves and delivered each song with a smile, clearly enjoying the reaction from the packed room as she closed out her set with her 2023 single âDry White Wineâ.
After a brief break, Dom Martin unassumingly took his spot on a stool on the stage to begin his set with a couple of acoustic numbers (âThe Fallâ & âGovernmentâ) taken from the Buried in the Hail album which was released earlier in the year.
The accomplished solo acoustic work and haunting vocals set the tone for a more introspective start to the main set.
Swapping the acoustic for electric, Dom is joined on stage by Ben Graham (bass) and Aaron McLaughlin (drums) and they rip into the slide laden, stomping anthem âThe Kidâ. Quickly followed up by âBelfast Bluesâ you can tell the atmosphere in the hall has changed.

At one point Dom decides to go walkabouts, jumping of the stage while still soloing, he made his way through the crowd up to the balcony area and back down again, to the amusement of his bandmates he needs some assistance getting back up onto the stage, not missing a note.
By now, handbags, coats and brollies all stashed out of the way, there were a few already dancing. There also were others who preferred to rest their beers on the ledge in front of the stage monitors; just so an adequate level of concentration can be achieved on how very note and sound is formed to create such an infectious groove.
It is easy to see why Dom is gaining international recognition for his soulful performances and exceptional guitar playing.

There is no denying the power and emotion in every tune and he is the first to acknowledge Rory Gallagher and Howlinâ Wolf as major influences but the songs draw from a much wider pool, such as folk, Delta blues and of course rock.

As the set continues songs like âLefty 2 Gunsâ and âHowlingâ keep things moving at a lively pace, only briefly slowing down for Domâs own take on Willie Nelsonâs âCrazyâ. The performance & intimate setting connecting the audience to the raw emotions in the songs, so much so, the evening flew by, and before you knew it the band drew the main set to a close with âUnhingedâ.

Quickly coming back in the the stage with a blistering instrumental then dropping into â12 Gaugeâand eventually, closing out the evening with âMaxwell Shuffleâ both from songs from the 2022 release A Savage Life.
There is no doubt performances donât come much better than this, and Dom has his stage craft down to a tee, his interaction with the audience and the other members of the band created a shared and memorable experience for all who were lucky enough to be there.