“As live albums go this just may be my favourite of the millennium so far. Is it up there with the greats of yesteryear? Well, it might well be soon, only time will tell.
In the meantime, just sit back and enjoy a world class band at the top of their game.” – The Rockpit, Australia on live album “Mayhem & Revelry”
“As their sole guitarist, John Notto balances bottom-end depth and dirt with flashy finesse. Marc LaBelle revels in the role of open-shirted, mic stand-wielding frontman, reflecting the band’s many nights spent opening for GN’R in stadiums across the world. It’s not hard to see why they landed that gig. Or why their headline audiences keep growing.” –Classic Rock Magazine UK on Dirty Honeys last European tour.
Dirty Honey are one of the brightest rising stars of the global rock scene. Their second studio album, 2023’s “Can’t Find The Brakes”, was hugely critically and commercially acclaimed. The band have also established themselves as one of the must see live acts in contemporary music – great songs, an extraordinary energy and a close connection with their audiences.
The band are delighted to announce European dates across June and July 2025 as part of their Mayhem & Revelry Tour 25 – with more to be confirmed. The 24 date tour across 10 countries is a mix of headline, support and festival slots. Confirmed dates are as follows…
PRESALES (WHERE APPLICABLE) 10AM CET TUES 25TH MARCH 2025
GENERAL SALE 10AM CET THURS 27TH MARCH 2025
FOR TICKETS AND FURTHER INFORMATION PLEASE SEE WWW.DIRTYHONEY.COM
CLICK HERE FOR “ABOUT DIRTY HONEY”
February 2025 saw Dirty Honey announce “MAYHEM AND REVELRY LIVE,” to widespread acclaim. The album was the band’s first live-in-concert, double-vinyl CD and digital release, and its companion four-part video documentary, recorded live throughout North America, the UK and Europe on the band’s 2023-24 “Can’t Find the Brakes” World Tour.
The four-part documentary is available on YouTube. Episode 1 is HERE
The album and video capture the band’s explosive energy and camaraderie with its audience and each other, and puts viewers front and center inside the barricade at the band’s sixty concerts.
