Following the release of the acclaimed ‘Robert Plant’s Saving Grace: All That Glitters…‘ EP last month and fresh back from a run of US dates, Robert Plant & Saving Grace have announced a run of UK and EIRE dates for summer 2027. Robert Plant was also honoured with the Lifetime Achievement Award at this year’s Americana Music Association Awards.
Kicking off at the prestigious Hampton Court Palace Festival on Saturday June 19th 2027, the ‘Root & Branch’ tour will also see the band play Lincoln Castle, The Piece Hall in Halifax, Scarborough’s Open Air Theatre and Summer Series at Trinity College Dublin on 29th June.
Pre-sale tickets will be available on November 4th & 5th, with general sale on Friday November 6th. For more info head HERE.
Robert Plant & Saving Grace play the following 2027 UK & Eire Dates:
June
Sat 19th London, Hampton Court Palace Festival
Thu 24th Lincoln, Lincoln Castle
Sat 26th Halifax, The Piece Hall
Sun 27th Scarborough, Open Air Theatre
Tue 29th Dublin, Trinity College Summer Series
Robert Plant‘s critically-acclaimed Saving Grace: All That Glitters… is out now digitally on Nonesuch Records. The EP, previously released on vinyl for Record Store Day, follows Plant’s 2025 critically acclaimed album, Saving Grace; both feature singer Suzi Dian and a band of musicians from the English countryside that Plant calls home. The EP’s four tracks further explore the folk and Americana songs that Plant and the band love: the traditional tunes ‘The Blackest Crow’ and ‘Two Coats’, Gillian Welch’s ‘Orphan Girl’, and Bert Jansch’s ‘Poison’.
This group of distinguished musicians – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown – explore the evolution of roots music both vintage and modern. The band members were drawn together by a shared love of roots music – blues, folk, gospel, country, and the sounds that lay in between. Saving Grace began at Plant’s home on the Welsh borderlands in 2019; this new collective of like-minded collaborators had been experimenting for barely a year, even serving as an unheralded opening act on a handful of dates for Fairport Convention, when the pandemic intervened and any formal plans were temporarily shelved. Once protocols permitted, Plant and Saving Grace began to record informally in a barn setup or outdoors, then booked themselves in small venues without fanfare.
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